It can also be assigned to switch between detected faces in a scene if you enable this capability in the menus. Pushing the joystick straight inward will allow you to change the focus area instead of punching in (or you can assign it to do nothing), while nudging it in a direction can only adjust the focus point's size and position (rather than also allowing you to change the focus mode with the dials). You can change the functions of the joystick to a limited extent. Simply nudging the stick in any direction allows you to select the focus point, and you can also use the dials to select the focus area mode (single-point, zone, wide/tracking). The clickable rear dials on other Fujifilm models operated this way by default. Now, when you press it inward, it 'punches in' to the selected focus point. The joystick (officially known as the 'focus lever') works a bit differently on the X-S10 than on other Fujifilm models. Lastly, Raw shooting is now available in these modes, rather than the photographer being 'stuck' with JPEG. Previous cameras were locked in the 'wide' mode. ISO 160 | 1/320 sec | F5.6 | XF 18-55mm F2.8-4 55mm (82.5mm equiv.)īefitting its mid-range (or 'more photographer friendly') status, you can now use any AF area mode in Auto or Scene modes, from spot to zone to wide/tracking. Photograph taken on a pre-production camera. (Users can still manually select any of the Film Simulation modes offered.) In our testing, the camera seemed to err on the side of selecting Provia, at least with portrait shooting. The X-S10 now has an 'auto' Film Simulation mode which will select between Provia (Standard), Velvia (Vivid) and Astia (Soft) depending on the scene. Those who stick to auto and scene modes will gain a few new features. These differences primarily have to do with how much coverage the lens offers outside the sensor area, not necessarily whether the lenses have their own stabilization. Most s tabilized Fujifilm lenses vary from 5.5 to 6 stops, save for the XF 80mm macro, which offers 5 stops. It offers 6 stops of shake reduction on all unstabilized Fujifilm lenses save for the XF 16-55mm F2.8, which weighs in at 5.5 stops. There's a very small difference in stabilization performance on the X-S10 versus the X-T4: just half a stop. A new motion sensor makes the unit more efficient, and the X-S10 has a redesigned circuit board that reduces power consumption. So, the company designed a new one that is 30% smaller and lighter than the X-T4's. New IBIS unitīeing a smaller camera, it's no surprise that the X-T4's IBIS unit wasn't going to fit into the X-S10. Most of the features on the X-S10 are well-established at this point, so in this section we're going to focus on a few things on this camera that you won't find on other Fujifilm models. Unlike most other Fujifilm cameras, the X-S10 only comes in black. You'll be able to buy the X-S10 in three kits: You get the same sensor, processor and performance of the X-T4, but with things like the EVF resolution and single, slower SD card slot on par with the X-T30. The X-S10 is very much a blend of the existing X-T30 and X-T4 in terms of specs. DCI and UHD 4K capture at up to 30p with F-Log support.30 fps burst shooting with crop (up to 20 fps without).3", 1.04M-dot fully articulating touchscreen.What's new | Body and handling | Image quality | Autofocus | Video| Conclusion | Samples | Full specifications And, with a price of $999 for the body – $100 more than the X-T30 – it's not necessarily out of reach for that audience. The X-S10 camera is targeted toward both beginning and experienced users who may have Canon or Nikon DSLRs and want something a little more 'familiar' than a typical Fujifilm camera. The company describes the X-S10 as a cross between the company's X-T30 and the X-H1 cameras: You get the guts from the former and the design and in-body image stabilization feature (in a new miniaturized form) from the latter.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |